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List of Publications

LIST OF PUBLICATIONS


MONOGRAPHS


work in progress:

Carceral Topography and Metaphorics: Fact, Fiction, and Fantasy (first draft completed)

 

Narrative Structure, 1250-1750: A Genre-by-Genre Analysis [On narrative structure in oral narrative and its adoption into late Middle English and early modern English narrative]

 

2010:

Towards a ‘Natural’ Narratology. London/New York: Routledge, 1996. Second edition, paperback. 

 

2009:

An Introduction to Narratology. Trans. Patricia Häusler-Greenfield and Monika Fludernik. London: Routledge, 2009.

 

2007:

Erzähltheorie. Eine Einführung. Second, revised edition of Einführung in die Erzähltheorie. Darmstadt: Wissenschaftliche Buchgesellschaft, 2007. Third edition 2010.

 

2006:

Einführung in die Erzähltheorie. Darmstadt: Wissenschaftliche Buchgesell­schaft, 2006.  191 pp.

 

2000:

Echoes and Mirrorings: Gabriel Josipovici’s Creative Oeuvre. Frankfurt/New York: Lang, 2000. ix+255pp.

 

1996:

Towards a ‘Natural’ Narratology. London/New York: Routledge, 1996.

[winner of the 1996 George & Barbara Perkins Prize]

 

1993:

The Fictions of Language and the Languages of Fiction. The Linguistic Representation of Speech and Consciousness. London/New York: Routledge, 1993.  

 

BOOKS EDITED

 

In progress:

(Ed., together with Suzanne Keene) Interior Spaces and Narrative Perspective Before 1850. Special issue of Style.

(Ed., together with Miriam Nandi) Otiose Leisure: Idleness and Indolence in British Literature.

(Ed., together with John Drakakis) Beyond the New Historicism: Recent Approaches to Early Modern Studies. Special issue of Poetics Today. (probably 2013)

(Ed., together with Daniel Jacob) Language and Literature: Proceedings of the FRIAS Conference. Unter Mitwirkung von Caroline Pirlet. Linguae & Litterae. Berlin: de Gruyter, 2012.

 

2012:

(Ed., together with Benjamin Kohlmann) Anglistentag Freiburg 2011: Proceedings. Trier: WVT, 2012.

 

2011:

(Ed.) Beyond Cognitive Metaphor Theory: Perspectives on Literary Metaphor. Routledge Studies in Rhetoric and Stylistics, 3. London: Routledge, 2011.

 

2010:

(Ed., together with Jan Alber) Postclassical Narratology: Approaches and Analyses. Columbus, OH: Ohio State Univ. Press, 2010.

 

2008:

(Ed., together with Hans-Helmuth Gander and Hans-Jörg Albrecht) Bausteine zu einer Ethik des Strafens. Philosophische, juristische und literaturwissenschaftliche Perspektiven. Würzburg: Ergon, 2008.

(Ed., together with Ralf Schneider) “Cognitive Approaches in Literature and Linguistics”. Section of Anglistentaag 2007 Münster. Proceedings. Ed. Klaus Stierstorfer. Trier: WVT. 181-276.

 

2005:

(Ed., together with Uri Margolin) German Narratology. Special issue of Style 38.2-3 (2004). [appeared in 2005.

 

2004:

(Ed., together with Greta Olson) In the Grip of the Law: Prisons, Trials and the Space Between. (Lang, 2004)

(Ed., together with Hans-Joachim Gehrke) Identitäten und Alteritäten. Normen, Ausgrenzungen, Hybridisierungen und ‘Acts of Identity’. Identitäten and Alteritäten, 18. Würzburg: Ergon, 2004.

 

2003:

(Ed.) Diaspora and Multiculturalism: Common Traditions and New Developments. Readings in the Post/Colonial Literatures in English, 66. Amsterdam: Rodopi, 2003.

(Ed., together with Jan Alber) Moderne/Postmoderne. Trier: WVT, 2003.

 

2002:

(Ed., together with Peter Haslinger and Stefan Kaufmann) Der Alteritätsdiskurs des Edlen Wilden: Exotismus, Anthropologie und Zivilisationskritik am Beispiel eines europäischen Topos. Identitäten und Alteritäten, 10. Würzburg: Ergon, 2002.

(Ed., together with Ariane Huml) Fin de siècle. Trier: WVT Trier, 2002. [Essays from a series of lectures in the winter of 1999/2000]

 

2001:

(Ed.) Section entitled “Narrative Voice” in special issue “Voice” of New Literary History 32.3 (2001)

 

2000:

(Ed., together with Vera Alexander) Romantik. Trier: WVT, 2000. 249pp.     [Essays from a series of lectures, Freiburg Summer Term 1998, with additional contributions]

(Ed.) “Section IV: Narratology.” In Anglistentag 1999 Mainz. Proceedings. eds. Berhard Reitz and Sigrid Rieuwerts. Trier: WVT. 343-461.

 

1999:

(Ed., together with Donald C. and Margaret H. Freeman) Metaphor and Beyond: New Cognitive Developments. Special issue of Poetics Today 20.3 (1999).

(Ed., together with Hans-Joachim Gehrke) Grenzgänger zwischen Kulturen. Identitäten und Alteritäten, 1. [Proceedings of the first annual conference of the SFB 541.] Würzburg: Ergon, 1999.

 

1998:

(Ed.) Hybridity and Postcolonialism: Twentieth-Century Indian Literature. Tübingen: Stauffenburg, 1998. 293 pp.

(Ed., together with Ruth Nestvold) Das 18. Jahrhundert. Trier: WVT, 1998. 306 pp. [Essays from a Ringvorlesung, Freiburg Summer Term 1997, with additional contributions]

(Ed.) Special issue of EJES 2.2 (1998) entitled ‘Literature and Linguistics’

 

1994:

(Guest-Editor) Second-Person Narrative. Special issue. Style 28.3.

 

SERIES EDITOR 

 

(1995-2001) with Ansgar NÜNNING. Handbücher zum literaturwissenschaftlichen Studium (Wissenschaftlicher Verlag Trier)

 

(2003-)  Editorial Board member for Narratologia. Contributions to Narrative Theory (de Gruyter)

 

(2011-)  with Sieglinde LEMKE. Literary and Cultural Studies, Theory and
the (new) Media
(Lang)

 

ARTICLES:

 

work in progress:

“Factual Narrative: A Missing Narratological Paradigm”. For special GRM issue 2013, ed. Ansgar Nünning

 

“Narrative Plurality and Multiplicity: Plural Characters, Crowds and Collective Storytelling”

 

“Plain Speaking vs. Double Dealing in Wycherley and Congreve.”     

 

“Narratology and the Law: Further Thoughts on Brooks and Sternberg”

(paper from the Mind and Narrative Conference in Leuven)

 

Tragedy and the Sublime (originally paper at conference: Philosophie des Tragischen)  

 

“Author Redevivus: The Axiom of the Author * Narrator Distinction Reconsidered” (for Poetics Today)

 

“Edmund Burke’s Sublime: Colonial Negotiations.” (Paper MLA 2000)

 

“Marginality and Plurality: The Composite Novel.”

                 

“The Concept of Englishness in Fiction and Film: Evelyn Waugh’s Brideshead Revisited vs. Ishiguro’s The Remains of the Day.”

 

under review:

“Is There a Postcolonial Sublime?” [more extensive version of the Proceedings paper of the Deutsche Anglistentag]

 

in print:

“Collective Minds in Fact and Fiction: Intermental Thought and Plural Consciousness in Early Modern Narrative.” Poetics Today special issue Beyond the New Historicism: Recent Approaches to Early Modern Studies.

 

“Blending in Cartoons: The Production of Comedy.” The Oxford Handbook of Cognitive Literary Studies. Ed. Lisa Zunshine.

 

(with Caroline Pirlet) “Towards a 'Natural' Bond of Cognitive and Affective Narratology.” Literature and Cognition special issue edited by Michael Burke.

 

“Die natürlichkeitstheoretische Erzählforschung (natural narratology) und das Problem kognitiver Wahrnehmungsraster”. Die Macht des Erzählens. Ed. Anja Müller-Wood and Winfried Eckel. Remscheid: Gardez, 2012. [Translation of “Natural Narratology and Cognitive Parameters”, 2004]

 

“The Diasporic Imaginary: Postcolonial Reconfigurations in the Context of Multiculturalism”. Proceedings of the Conference “The Middle Euphrates in Antiquity: Aspects of Diaspora and Cultural Identity” (Rome 2005) [revised version of the Introduction to Diaspora and Multiculturalism]


Entries for Kindler Literaturlexikon on Burke (Biogramm, Enquiry, Reflections), Godwin (Biogramm, Caleb Williams) and Josipovici (Biogramm, Contre-Jour). 2008.

 

2013:

“Narrative in George Eliot”. The Blackwell Companion to George Eliot. Ed. Harry Shaw. Oxford: Blackwell, 2012.

 

“Factual Narrative: A Missing Narratological Paradigm.” Germanisch-Romanische Monatsschrift [GRM] 63.1 (2013): 117-34. Special issue edited by Ansgar Nünning.

 

2012:

 “How Natural is ‘Unnatural’ Narratology; or, What is Unnatural About Unnatural Narratology?”. Narrative 20.3: 357-70.

 

“The Narrative Forms of Postcolonial Fiction”. The Cambridge History of Postcolonial Literature. Ed. Ato Quayson. Cambridge Univ. Press, 2012. 903-37.


“10. Monika Fludernik”. Narrative Theory and Poetics: Five Questions. Ed. Peer F. Bundgård, Henrik Skov Nielsen and Frederik Stjernfelt. Birkerød, DK: Automatic Press, 2012. 65-7.

 

“Narratology and Literary Linguistics” in Oxford Handbooks in Linguistics. Volume: Tense/Aspect. Ed. Robert Binnick. Oxford: Oxford Univ. Press, 2012.

 

(with Caroline Pirlet) “Narratology”. English and American Studies: Theory and Practice. Ed. Martin Middeke, Timo Müller, Christina Wald and Hubert Zapf. Stuttgart: Metzler, 2012. 225-30.

 

2011:

“Mündliches und schriftliches Erzählen”. Handbuch Erzählliteratur. Ed. Matías Martínez. Stuttgart: Metzler.

 

“The Representation of Mind from Chaucer to Aphra Behn”. Narrative Development from Chaucer to Defoe. Ed. Gerd Bayer and Ebbe Klit-gård. Routledge 2011. 40-59.


“Introduction”. Beyond Cognitive Metaphor Theory: Perspectives on Literary Metaphor. Ed. Monika Fludernik. Routledge Studies in Rhetoric and Stylistics, 3. London: Routledge, 2011. 1-16.

 

“The Category ‘Person’ in Fiction: You and We Narrative and the Question of Authors and Readers”. Current Trends in Narratology. Ed. Greta Olson. Narratologia, 27. Berlin: de Gruyter, 2011. 101-41.

 

*(with Greta Olson) “Introduction”. Current Trends in Narratology. Ed. Greta Olson.  Narratologia, 27. Berlin: de Gruyter, 2011. 1-33.      

 

“1050-1500: Through a Glass Darkly; or, The Emergence of Mind in Medieval Narrative.” The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Univ. of Nebraska Press, 2011. 69-100.

 

“Point of View”. The Cambridge Encyclopedia of the Language Sciences. Ed. Patrick Colm Hogan. Cambridge: Cambridge Univ. Press, 2011. 632-5.

 

2010:        

“Narratology in the 21st Century: The Cognitive Approach to Narrative”. PMLA 125.4 (October 2010): 924-30.

 

“Narrative and Metaphor”. Language and Style. In Honour of Mick Short. Ed. Dan McIntyre and Beatrix Busse. Palgrave, 2010. 347-63.

 

“Naturalizing the Unnatural: A View from Blending Theory”. Journal of Literary Semantics 39.1 (2010): 1-27.

 

“Towards a ‘Natural’ Narratology: Frames and Pedagogy – A Reply to Nilli Diengott”. Journal of Literary Semantics 39.2 (2010): 203-11.

 

(with Jan Alber) “Introduction”. Postclassical Narratology: Approaches and Analyses. Columbus, OH: Ohio State Univ. Press, 2010. 1-31.

 

“Mediacy, Mediation, and Focalization: The Squaring of Terminological Circles”. In Postclassical Narratology: Approaches and Analyses. Ed. Jan Alber and Monika Fludernik. Columbus, OH: Ohio State Univ. Press, 2010. 105-33.

 

“Experience, Experientiality and Historical Narrative: A View from Narrato-logy”. Erfahrung und Geschichte: Historische Sinnbildung im Pränarra-tiven. Ed. Thiemo Breyer and Daniel Creutz. Narratologia, 23. Berlin: de Gruyter, 2010. 40-72.

 

„Durch einen dunkel verzerrten Spiegel“ (1 Kor. 13:12). Die Entstehung des Bewusstseins in der englischen Literatur, 1050-1500”. Histori-sche Narratologie. Mediävistische Perspektiven. Ed. Harald Haferland and Matthias Meyer. Trends in Medieval Philology, 19. Berlin: de Gruyter. 281-305.

 

“Das Gefängnis als Empathieraum: Sympathielenkung und Identifikation mit dem inhaftierten Subjekt an der Wende zum 19. Jahrhundert”. Empathie und Erzählung. Ed. Claudia Breger and Fritz Breithaupt. Freiburg: Rombach, 2010. 151-72.

 

“Erzählung aus narratologischer Sicht”. Erzählen in den Wissenschaften: Positionen, Probleme, Perspektiven. Ed. Balz Engler. 26. Kolloquium (2009). Kolloquien der Schweizerischen Akademie der Geistes- und Sozialwissenschaften, 26. Fribourg: Academic Press, 2010. 5-22.

 

“Letters and Chronicles: How Narrative Are They?”. Siting America/Siting Modernity: Essays in Honor of Sonja Bašić. Ed. Jelena Šesnić, Zagreb: FF Press. 221-38. [reprint of Fludernik 2004]

 

2009:

“Conversational Narration/Oral Narration”. Handbook of Narratology. Ed. Peter Hühn, John Pier, Wolf Schmid and Jörg Schönert. Narratologia, 19. Berlin: de Gruyter, 2009. 63-73.

 

(with Jan Alber) “Mediacy and Narrative Mediation”.  Handbook of Narratology. Hgg. Peter Hühn, John Pier, Wolf Schmid und Jörg Schönert. Narratologia, 19. Berlin: de Gruyter, 2009. 174-89.

 

“The Cage Metaphor: Extending Narratology into Corpus Studies and Opening it to the Analysis of Imagery”. Narratology in the Age of Interdisciplinary Narrative Research. Ed. Sandra Heinen and Roy Sommer. Narratologia, 20. Berlin: De Gruyter, 2009. 109-28.

 

(with Martin Brandenstein) “Images of Crime and the German Justice System in German Trial Soaps.” Images of Crime III: Representations of Crime and the Criminal. Ed. Telemach Serassis, Harald Kania and Hans-Jörg Albrecht. Berlin: Duncker & Humblot, 2009. 165-82.

 

“Ibsen und Shaw: Schlaglichter einer Affinität”. Das große nordische Orakel: Henrik Ibsen als Leitbild der Moderne. Ed. Heinrich Anz. Skandinavistik: Sprache -- Literatur -- Kultur, 4. Münster: LIT, 2009. 239-59.

 

“Roman”. Handbuch der literarischen Gattungen. Ed. Dieter Lamping. Stuttgart: Kröner. 627-45.

 

2008:

“Narrative and Drama.” Theorizing Narrativity. Ed. John Pier and José Angel García Landa. Narratologia, 12. Berlin: De Gruyter, 2008. 355-83.

 

“The Eighteenth-Century Legacy.” A Companion to Charles Dickens. Ed. David Paroissien. Oxford: Blackwell, 2007. 65-80.

 

“Ethik des Strafens * Literarische Perspektiven”. Bausteine zu einer Ethik des Strafens. Philosophische, juristische und literaturwissenschaftliche Perspektiven. Würzburg: Ergon, 2008. 213-31.

 

“Introduction: Cognitive Approaches to Literature and Linguistics” (together with Ralf Schneider). Anglistentag 2007 Münster. Proceedings. Ed. Klaus Stierstorfer. Trier: WVT. 181-5.

 

2007:

“Identity/Alterity.” The Cambridge Companion to Narrative. Ed. David Herman. Cambridge: Cambridge Univ. Press, 2007. 260-73.

 

“Interfaces of Language: The Case of Irony”. Irony Revisited. Spuren-suche in der englischsprachigen Literatur. Ed. Thomas Honegger, Eva-Maria Orth, and Sandra Schwabe. Würzburg: Königshausen & Neumann, 2007. 11-26.

 

“Letters as Narrative: Narrative Patterns and Episode Structure in Early Letters, 1400 to 1650.” Methods in Historical Pragmatics. Ed. Susan M. Fitzmaurice and Irma Taavitsainen. Berlin: Mouton de Gruyter, 2007. 241-66.

 

“Carceral Fantasies: A Database Analysis of Prison Metaphors.” Anglistik 18 (2007): 27-40.

 

“Is There a Postcolonial Sublime?” Proceedings. Anglistentag Halle 2006. Ed. Sabine Volk-Birke und Julia Lippert. Trier: WVT, 2007. 237-47.

 

“Kanon und Geschlecht.” Freiburger Frauenstudien 20 (2007): Erinnern und Geschlecht, Volume 2. Freiburg: 51-64.

 

Intr. Beatrix Busse. “The Stylistics of Drama: The Reign of King Edward III.” Contemporary Stylistics. Ed. Marina Lambrou and Peter Stockwell. London: Continuum, 2007. 232-3.

 

2005:

“Threatening the University * The Liberal Arts and the Economization of Culture.” NLH/New Literary History 36.1 (2005): 57-70.

 

“Histories of Narratology (II): From Structuralism to the Present.” A Companion to Narrative Theory. Ed. James Phelan and Peter Rabinowitz. Oxford: Blackwell, 2005. 36-59.

 

“The Metaphorics and Metonymics of Carcerality: Reflections on Imprisonment as Source and Target Domain in Literary Texts.” English Studies 86 (2005): 226-44.

 

“Metaphoric (Im)Prison(ment) and the Constitution of a Carceral Imaginary.” Anglia 123 (2005): 1-25.

 

“’Stone Walls Do Not a Prison Make’: Rhetorical Strategies and Senti-mentalism in the Representation of the Victorian Prison Experience.” Captivating Subjects: Writing Confinement, Citizenship and Nationhood in the Nineteenth Century. Ed. Julia Wright and Jason Haslam. Toronto: Univ. of Toronto Press, 2005. 144-74.

 

“Unreliability vs. Discordance: Kritische Betrachtungen zum literatur-wissen­schaftlichen Konzept der erzählerischen ‘Unzuverlässigkeit.’” ‘Was stimmt denn jetzt?’ Unzuverlässiges Erzählen in Literatur und Film. Ed. Fabienne Liptay and Yvonne Wolf. edition text + kritik. Munich: Boorberg, 2005. 39-59.

 

“Changement de scène, métalepse et mode métaleptique.” Métalepses: Entorses au pacte de la représentation. Ed. John Pier and Jean-Marie Schaeffer. Paris: Presses de l’EHESS, 2004. 73-94. [French translation of Style essay, 2003]

 

“Allegory, Metaphor, Scene and Expression: English Medieval and Early Modern Lyric Poetry.” Theory into Practice: New Approaches to Poetry. Ed. Margarete Rubik and Eva Müller-Zettelmann. Amsterdam: Rodopi, 2005. 99-124.

 

“Narrative Structure in the Middle English Prose Romance.” Anglistentag Aachen 2004. Proceedings. Ed. Lilo Moessner and Christa M. Schmidt. Trier: WVT. 43-51.

 

Entries “experientiality,” “hybridity,” “speech representation,” “time and narrative,” “letter as narrative,” “naturalisation” and “composite novel” for Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn, and Marie-Laure Ryan. London: Routledge, 2005.

                       

2004:

(with Greta Olson) “Introduction.” In the Grip of the Law: Prisons, Trials and the Space Between. Ed. Monika Fludernik and Greta Olson. Frankfurt: Lang, 2004. xiii-liv.

 

“Prison Metaphors: The Carceral Imaginary?” In the Grip of the Law: Prisons, Trials and the Space Between. Ed. Monika Fludernik and Greta Olson. Frankfurt: Lang, 2004. 145-67.

 

“Caliban Revisited: Robben Island in the Autobiographical Record.” In the Grip of the Law: Prisons, Trials and the Space Between. Ed. Monika Fludernik and Greta Olson. Frankfurt: Lang, 2004. 271-88.

 

“Literarische Funktionen von Kriminalität.” Alltagsvorstellungen von Kriminalität. Individuelle und gesellschaftliche Bedeutung von Kriminalitätsbildern für die Lebensgestaltung. Ed. Michael Walter, Harald Kania, and Hans-Jörg Albrecht. Kölner Schriften zur Kriminalität und Kriminalpolitik, 5. Münster: LIT Verlag, 2004. 59-76.

 

“Fiction vs. Reality: What is the Function of Prisons in Literary Texts?” Images of Crime II. Ed. Hans-Jörg Albrecht, Telemach Serassis and Harald Kania. Freiburg: edition iuscrim, 2004. 279-97.

 

(with Uri Margolin) “Introduction.” German Narratology: 1. Style 38.2 (Summer 2004): 148-87. [appeared 2005]

 

“Letters and Chronicles: How Narrative Are They?” Essays on Fiction and Perspective. Ed. Göran Rossholm. Frankfurt: Lang, 2004. 129-54. [reprinted 2010]

 

“Mod en ‘naturlig’ narratologi.” Narratologi. Ed. Stefan Iversen and Henrik Skov Nielsen. Aarhus: Aarhus Universitetsforlag, 2004. 105-22. [Translation into Danish from Towards a ‘Natural’ Narratology 43-52]

 

2003:

“The Diachronization of Narratology.” Narrative 11.3 (2003). 331-48.

 

“Chronology, Time, Tense and Experientiality in Narrative.” Language and Literature 12.2 (2003): 117-34.

 

“The Prison as World * The World as Prison: Theoretical and Historical Aspects of two Recurrent Topoi.” Symbolism 3 (2003): 147-89.

 

“Metanarrative and Metafictional Commentary.” Poetica 35 (2003): 1-39.

 

“Scene Shift, Metalepsis, and the Metaleptic Mode.” Style 37.4 (2003): 382-400. [appeared November 2004]

 

“Natural Narratology and Cognitive Parameters.” Narrative Theory and the Cognitive Sciences. Ed. David Herman. Stanford, CA: CSLI [Center for the Study of Language and Information Stanford, California] Publications, 2003. 243-267.

 

“The Diasporic Imaginary: Postcolonial Reconfigurations in the Context of Multiculturalism.” Diaspora and Multiculturalism: Common Traditions and New Developments. Readings in the Post/Colonial Literatures in English, 66. Amsterdam: Rodopi, 2003. xi-xxxviii.

 

“Imagined Communities as Imaginary Homelands? The South Asian Diaspora in Fiction.” Diaspora and Multiculturalism: Common Traditions and New Developments. Readings in the Post/Colonial Literatures in English, 66. Amsterdam: Rodopi, 2003. 261-85.

 

“Selbst- und Fremdbestimmung: Literarische Texte und die Thematisierung von Aus- und Abgrenzungsmechanismen”. Zwischen Ausgrenzung und Hybri­di­sierung. Zur Konstruktion von Identitäten aus kulturwissenschaftlicher Perspektive. Tagungsband zur vierten Jahrestagung des SFB 541 der Universität Freiburg, April 2001. Ed. Elisabeth Vogel, Wolfram Lutte­rer and Antonia Napp. Identitäten und Alteritäten, 14. 2003. 123-43.

           

“Erhabene Postmoderne? Technologie, Gewalt und Ästhetik zwischen Atombombe und dem 11. September.” Moderne/Postmoderne. Ed. Monika Fludernik and Jan Alber. Trier: WVT, 2003. 243-67.

 

“Zur Einführung.” Moderne/Post­moderne. Ed. Monika Fludernik and Jan Alber. Trier: WVT, 2003. 1-15.

 

“History of Narratology: A Rejoinder.” Poetics Today 24.3 (2003): 405-11. [Response to David Darby, “Form and Context: An Essay in the History of Narratology,” Poetics Today 22.4: 829-852.]

 

2002:

“Der edle Wilde als Kehrseite des Kulturprogressivismus.” Der Alteritätsdiskurs des Edlen Wilden: Exotismus, Anthropologie und Zivilisationskritik am Beispiel eines europäischen Topos. Hgg. Monika Fludernik, Peter Haslin­ger und Stefan Kaufmann. Identitäten und Alteritäten, 10. Würzburg: Ergon, 2002: 157-76.

 

“Religion und Ästhetik im Fin de siècle: Von den Präraphaeliten zu Oscar Wildes Salome.” Fin de siècle. Ed. Monika Fludernik und Ariane Huml. Trier: WVT, 2002. 85-121.

 

“The Constitution of Hybridity: Postcolonial Interventions.” Satya Nilayam. Chennai Journal of Intercultural Philosophy 2 (2002): 15-49. Reprint of essay in Hybridity and Postcolonialism, ed. Fludernik (Tübingen: Stauffen­burg, 1998).

 

“Tempus und Zeitbewußtsein: Erzähltheoretische Überlegungen am Beispiel englischer Literatur.” Zeit und Roman. Zeiterfahrung im historischen Wandel und ästhetischer Paradigmenwechsel vom sechszehnten Jahr­hundert bis zur Postmoderne. Ed. Martin Middeke. Würzburg: Königs­hausen & Neumann, 2002. 21-32.

 

“Sprachwissenschaft * Modell und Methode.” Literaturwissenschaft intermedial * interdisziplinär. Ed. Herbert Foltinek and Christoph Leitgeb. [Proceedings of a conference at the Austrian Academy of Science in June 2001]. Wien: Verlag der Österreichischen Akademie der Wissen­schaf­ten, 2002. 121-30.

 

“The Prison as Colonial Space.” Cycnos 19.2 (2002): 175-90. (=Special Issue “Droit et littérature. Actes du Colloque Nice 28 et 29 juin 2001.” Ed. Jacqueline Berben-Masi) [appeared 2003]

 

“The sublime” in: Literary Dictionary, ed. Robert Clark. New entries.

 

Entries “Gabriel Josipovici” and Sunetra Gupta” for Ansgar Nünning, Metzler Lexikon englischer Autoren. Stuttgart: Metzler, 2002. 2 vols.

 

Entries “Gabriel Josipovici,” “the sublime,” and “free indirect discourse” for Robert Clark, ed., Literary Dictionary. http://www.LiteraryDictionary.com

 

“Wissenschaft und Lehre: Warum Lehrer eine wissenschaftliche Ausbildung durchlaufen sollen.” Forum at the Anglistentag, Vienna 2001. Anglistik 13.1 (2002): 16-20.

 

(together with Miriam Nandi) “Hybridität * Theorie und Praxis”. Polylog 8 (2001): 7-24. [appeared 2002]

 

2001:

“Fiction vs Non-Fiction: Narratological Differentiations.” Erzählen und Erzähltheorie im 20. Jahrhundert. Festschrift für Wilhelm Füger. Ed. Jörg Helbig. Heidelberg: Winter, 2001. 85-103.

 

“New Wine in Old Bottles? Voice, Focalization and New Writing.” NLH/New Literary History 32.3 (2001): 619-38.

 

“William Godwin’s Caleb Williams: The Tarnishing of the Sublime.” ELH/English Literary History 68.4 (Winter 2001): 857-96. [Reprinted in Nineteenth-Century Literature, 130. Gale Publishers, 2003. 169-89]

 

“Spectacle, Theatre and Sympathy in William Godwin’s Caleb Williams.” Eighteenth-Century Fiction 14.1 (2001). 1-30.

 

“Sympathetic Affect and Artful Deception: Rhetorical Ambivalence in William Godwin’s Caleb Williams.” Engendering Images of Man in the Long Eighteenth Century. Eds. Walter Göbel, Saskia Schabio and Martin Windisch. Trier: WVT, 2001. 81-96.

 

“Noble Savages and Calibans: Dryden and Colonial Discourse.” Dryden and the Age of Neoclassicism. Eds. Wolfgang Görtschacher and Holger Klein. Studies in English and Comparative Literature, 17. Tübingen: Stauffenburg, 2001. 273-88.

 

“The Establishment of Internal Focalization in Odd Pronominal Contexts.” New Pe­rspectives on Narrative Perspective. Eds. Willie van Peer and Seymour Chatman. Albany, NY: SUNY Press, 2001. 101-113.

 

Entries “Gabriel Josipovici”, “the sublime”, “free indirect discourse” for Robert Clark’s Literary Dictionary. http://www.Literary Dictionary.com

 

“The sublime” in: ABES, ed. Robert Clark. New entries.

 

2000:

“Discourse markers in Malory’s Morte D’Arthur.” Journal of Historical Pragmatics 1.2 (2000): 231-62.

         

“Genres, Text Types, or Discourse Modes * Narrative Modalities and Generic Categorization”  Style 34.2 (2000): 274-92. (special issue, ed. Brian Richardson)

 

“Beyond Structuralism in Narratology: Recent Developments and New Horizons in Narrative Theory.” Anglistik 11.1 (2000): 83-96.

 

“Suttee as Heroic Martyrdom, Liebestod, and as Emblem of Women’s Oppression: From Orientalist to Feminist Appropriations of a Hindu Rite in Four Narrative Genres.”  RANAM 33 (2000): 145-80.

 

“Einleitung” (with Vera Alexander). Romantik. Eds. Vera Alexander and Monika Fludernik. Trier: WVT Trier, 2000. 1-5.

 

“Vom Erhabenen zur Sphärenmusik: Kunst und Inspiration in der englischen Romantik.” Romantik. Eds. Vera Alexander und Monika Fludernik. Trier: WVT Trier, 2000. 217-44.

 

“The Hybridity of Discourses about Hybridity: Kipling’s ‘Naboth’ as an Allegory of Postcolonial Discourse.” Crossover: Cultural Hybridity in Ethnicity, Gender, Ethics. Ed. Therese Steffen. Tübingen: Stauffenburg, 2000. 151-68.

                        

(with Stephan Kohl and Hubert Zapf) “Vorbild Nordamerika? Zum problematischen Vergleich des nordamerikanischen und deutschen Hochschulsystems (Stellungnahme des Deutschen Anglistenverbandes)” Anglistik 11.2 (2000): 11-23.

 

“The sublime” in: ABES [Annotated Bibliography of English Studies], ed. Robert Clark. Some 30 entries.

 

1999:

 

“Suttee Revisited: From the Iconography of Martyrdom to the Burkean Sublime.” NLH/New Literary History 30.2 (1999): 411-37.

 

“Cross-Mirrorings of Alterity: The Colonial Scenario and its Psychological Legacy.” ARIEL 30.3 (1999): 29-62.

 

“When the Self is an Other: Vergleichende erzähltheoretische und postkoloniale Überlegungen zur Identitäts(de)konstruktion in der (exil)indischen Gegenwartsliteratur.” Anglia 117.1 (1999): 71-96.

 

“Carceral Topography: Spatiality and Liminality in the Literary Prison.” Textual Practice 13.1 (1999): 43-77.

 

“Metaphor and Beyond: An Introduction.” (together with Donald C. and Margaret H. Freeman) Poetics Today 20.3 (1999): 383-96.

 

“The Genderization of Narrative.” Recent Trends in Narratological Research. Papers from the Narratology Round Table, ESSE 4 (September 1997, Debrecen, Hungary) and other contributions. Ed. John Pier. GRAAT [Groupes de Recherches Anglo-Américaines de Tours] 21. 153-75.

 

“Defining (In)Sanity: The Narrator of ‘The Yellow Wallpaper’ and the Question of Unreliability.” Grenzüberschreitungen: Narratologie im Kontext/ Transcending Boundaries: Narratology in Context. Eds. Walter Grünzweig and Andreas Solbach. Tübingen: Gunter Narr, 1999. 75-96.

 

“Grenze und Grenzgänger: Topologische Etuden.” Grenzgänger zwischen Kulturen. Proceedings der ersten Jahrestagung des SFB 541. Eds. Monika Fludernik and Hans-Joachim Gehrke. Würzburg: Ergon, 1999. 99-108.

 

[untitled]. Editorial Board Symposium: The Anxiety of Influence, Part 2. Language and Literature 8.1 (1999): 67-70.

 

“A European View of the MLA.” PMLA 114.5 (1999): 107-8.

 

1998:

“Introduction.” Hybridity and Postcolonialism: Twentieth-Century Indian Literature. Ed. Monika Fludernik. Tübingen: Stauffenburg, 1998. 9-18.

              

“The Constitution of Hybridity: Postcolonial Interventions.” Hybridity and Postcolonialism: Twentieth-Century Indian Literature. Ed. Monika Fludernik. Tübingen: Stauffenburg, 1998. 19-53. Reprinted Satya Nilayam. Chennai Journal of Intercultural Philosophy 2 (2002): 15-49.

           

“Colonial vs Cosmopolitan Hybridity.” Hybridity and Postcolonialism: Twentieth-Century Indian Literature. Ed. Monika Fludernik. Tübingen: Stauffenburg, 1998. 261-90.

 

“Einleitung: Das ‘neue’ achtzehnte Jahrhundert.” Das 18. Jahrhundert. Eds. Monika Fludernik and Ruth Nestvold. Literatur und Realität, 17. Trier: WVT, 1998. 5-15.

 

“Aesthetik und Rhetorik im achtzehnten Jahrhundert: Edmund Burke, das Erhabene und die Französische Revolution.” Das 18. Jahrhundert. Eds. Monika Fludernik and Ruth Nestvold. Literatur und Realität, 17. Trier: WVT, 1998. 215-51.

 

“The Rhetoric of Readerly Vraisemblance and the Strategies of Joyce’s Rewritings.” Images of Joyce. Proceedings of the 12th International James Joyce Conference Monte-Carlo, 10-17 June 1990. Eds. Clive Hart, C. George Sandulescu, Bonnie K. Scott and Fritz Senn. The Princess Grace Library, 11. Gerrards Cross: Colin Smythe, 1998. 85-103.

 

“Strange Bedfellows: Linguistic Theory and Practice in Current Literary Scholarship.” EJES 2.2 (1998): 131-5. [Introduction to special issue]

 

“Angela Carter’s Pronominal Acrobatics: Language in ‘The Erl-King’ and ‘The Company of Wolves.’” EJES 2.2 (1998): 215-37.

 

“Sunetra Gupta, ‘The Glassblower’s Breath.’” Kindlers Neues Literaturlexikon, vol. 21, Supplement A - K. Munich: Kindler Verlag GmbH, 1998. 520-521.

 

“Gabriel Josipovici, ‘Contre-Jour: A Triptych after Pierre Bonnard.’” Kindlers Neues Literaturlexikon, vol. 21, Supplement A - K. Munich: Kindler Verlag GmbH, 1998. 652-653.

 

“Discourse Representation.” 319-22.

“Narratology.”  900-905.

“Fable” (together with Parvin Loloi) 395-97.

Entries for the Encyclopedia of the Novel. Ed. Paul Schellinger. Chicago, IL: Fitzroy Dearborn Publishers, 1998.

 

1996:

           

“Linguistic Signals and Interpretative Strategies: Linguistic Models in Performance, with special reference to free indirect discourse.” Language and Literature 5.2 (1996): 93-113.

 

“Towards a ‘Natural’ Narratology.” Journal of Literary Semantics 25.2 (1996): 97-142.

 

“Linguistics and Literature: Prospects and Horizons in the Study of Prose.” Journal of Pragmatics 26 (1996): 583-611.

 

“Distorting Language at Its Roots. (Late) Modernist and Postmodernist Experiments with Narrative Language.” Sprachkunst 26.1 (1996): 109-126.

 

“Vorformen und Vorläufer des englischen Romans.” Eine andere Literaturge­schichte. Ed. Ansgar Nünning. WVT Handbücher zum literaturwissen­schaftlichen Studium, 2. Trier: WVT, 1996. 61-76.

 

Comment. “On Wolfgang Dressler’s ‘Parallelisms between Natural Text­lingu­ist­ics and other components of Natural Linguistics.’” Naturalness Within and Across Components. Papers from the Kraków Workshop on Natural Linguistics. Ed. Katarzyna Dziubalska-Kolaczyk. Sprachtypologie und Uni­versalienforschung (STUF). Leipzig: Akademie Verlag, 1996. 322-329.

 

1995:

 

“The Linguistic Illusion of Alterity: The Free Indirect as Paradigm of Discourse Representation.” Diacritics 25.4 (Winter 1995): 89-115.

 

“Pronouns of Address and ‘Odd’ Third Person Forms: The Mechanics of Involve­ment in Fiction.” In: New Essays on Deixis. Discourse, Narrative, Literature. Ed. Keith Green. Amsterdam: Rodopi, 1995. 99-129.

 

“Middle English tho and other narrative discourse markers.” Historical Pragmatics. Pragmatics and Beyond New Series Vol. 35. Ed. Andreas Jucker. Amsterdam: John Benjamins, 1995. 359-92.

 

“Narrative Strategies in Early English Fiction: From Renaissance Prose to Aphra Behn.” Narrative Strategies in Early English Fiction. Proceedings of the Conference, Salzburg September 1994. Ed. Wolfgang Görtschacher and Holger Klein. Lewiston,NY/Salzburg: The Edwin Mellen Press, 1996. 5-24.

 

“Sprachwissenschaft und Literaturwissenschaft: Paradigmen, Methoden, Funktionen und Anwendungsmöglichkeiten.” Literaturwissenschaftliche Theorien, Methoden und Modelle. Ed. Ansgar Nünning. Trier: Wissen­schaft­licher Verlag Trier, 1995. 119-36.

 

“Erzähltexte mit unüblichem Personalpronominagebrauch: engl. one und it, frz. on, dt. man.” Erlebte Rede und impressionistischer Stil. Europäische Erzählprosa im Vergleich mit ihren deutschen Übersetzungen. Ed. Dorothea Kullmann. Göttingen: Wallstein, 1995. 283-308.

 

1994:

 

“Introduction: Second-Person Narrative and Related Issues.” Style 28.3: 281-311.

 

“Second-Person Narrative as a Test Case for Narratology: The Limits of Realism.” Style 28.3: 445-79.

 

“Second-Person Narrative: A Bibliography.” Style 28.4: 525-48.

 

“History and Metafiction: Experience, Causality, and Myth” In: Historio­graphic Metafiction in Modern American and Canadian Literature, Eds. Bernd Engler and Kurt Müller. Paderborn: Schöningh, 1994. 81-102.

 

1993:

 

“Second Person Fiction: Narrative YOU as Addressee and/or Protagonist.” Arbeiten aus Anglistik und Amerikanistik [AAA] 18.2 (1993): 217-47.

 

“Narratology in Context.” Poetics Today 14.4 (1993): 729-61. [Review Essay]

 

1992:

 

“Narrative Schemata and Temporal Anchoring.” Journal of Literary Semantics 21.2 (1992): 118-53.

 

“Subversive Irony: Reflectorization, Trustworthy Narration and Dead-Pan Narrative in The Mill on the Floss.” REAL 8 (1991-1992): 157-82.

 

“The Historical Present Tense in English Literature: An Oral Pattern and its Literary Adaptation.” Language and Literature 17 (1992) (Crosscurrents of Influence special issue 1992): 77-107. (published at Trinity University, English Deptm., San Antonio TX 78212-7200)

 

“Truth as Signifier and Signified in A Touch of the Poet: A Deconstructionist Reading.” New Trends in English and American Studies. Proceedings of the Fifth International Cracow 1990, April 2-7. Eds. Marta Gibinska and Zygmunt Mazur. Kraków: “Universitas”, 1992: 241-60.

 

1991:

 

 “Shifters and Deixis: Some Reflections on Jakobson, Jespersen, and Reference.” Semiotica 86.3-4 (1991): 193-230.

 

“The Historical Present Tense Yet Again: Tense Switching and Narrative Dynamics in Oral and Quasi-Oral Storytelling.” Text 11.3 (1991): 365-98.

 

“The Illusion of Truth in Eugene O’Neill’s A Touch of the Poet: Dynamics and Reversals.” Amerikastudien/American Studies 36.3 (1991): 317-35.

 

Ichinotani Futaba Gun’ki: A Kabuki Parallel to On Baile’s Strand.” The Harp (Bulletin of IASAIL Japan) 6 (1991): 6-26.

 

1990:

 

“Byron, Napoleon, and Thorough-Bred Mares: Symbolism and Semiosis in Eugene O’Neill’s A Touch of the Poet.” Sprachkunst 21.2 (1990):  335-52.

 

“Jespersen’s Shifters: Reflections on Deixis and Subjectivity in Language.” Klagenfurter Beiträge zur Sprachwissenschaft. Vor­träge der 16. österreichische Linguistentagung (Salzburg, 8.-11. 12. 1988). KBS 15 (1989)-16 (1990): 97-116.

 

1989:

 

“Hänsel & Gretel, and Dante: The Coordinates of Hope in Gravity’s Rainbow.” AAA [Arbeiten aus Anglistik und Amerikanistik] 14.1 (1989): 39-55.

 

“Methoden der Erzähltheorie.” Österreichische Hochschulzeitung. Magazin für Wissenschaft, Forschung und Praxis 41.5 (1989): 15.

 

1988:

 

“’The Divine Accident of Life’: Metaphoric Structure and Meaning in Winesburg, Ohio.” Style 22.1 (1988): 116-35.

 

1987:

 

Winesburg, Ohio: The Apprenticeship of George Willard.” Amerikastudien/American Studies 32.4 (1987): 431-52.

 

“The ‘Ulyssean’ Paradigm of the Modern Novel.” Literary Interrelations: Ireland, England and the World. vol.2 “Comparison and Impact.” Eds. Wolfgang Zach and Heinz Kosok. Tübingen: Günter Narr, 1987: 293-98.

 

1986:

 

“The Dialogic Imagination of Joyce: Form and Function of Dialogue in Ulysses.” Style 20:1 (1986): 42-57.

 

“’Ithaca’ - An Essay in Non-Narrativity.” International Perspectives on James Joyce. Ed. Gottlieb Gaiser. Troy, NY: Whitston, 1986: 88-105.

 

“Narrative and its Development in Ulysses.” The Journal of Narrative Technique 16:1 (1986): 15-40.

 

1985:

 

Ulysses and Joyce’s Change of Artistic Aims: External and Internal Evidence.” James Joyce Quarterly 23.2 (1985-86): 173-88.


REVIEWS

 

GLAGE, Liselotte. Jane Austen: ‘Pride and Prejudice’. Text und Ge­schichte. Modellanalysen zur englischen und amerikanischen Literatur. Munich: Fink, 1984. [GRM 37.3 (1987): 350-354]

KOUWENHOVEN, Jan Karel. Apparent Narrative as Thematic Metaphor: The Organization of the ‘Faerie Queene.’ Oxford: Clarendon Press, 1983. [GRM 37.4 (1987): 480-482]

BUTTIGIEG, Joseph A. A Portrait of the Artist in Different Perspective. Athens, Ohio: Ohio Univ. Press, 1987. [MFS 34.4 (1988): 687-689]

SCHWARZ, Daniel R. Reading Joyce’s ‘Ulysses.’ New York: St. Martin’s Press, 1987. [MFS 34.4 (1988): 687-689; “Response to Daniel Schwarz” MFS 35.4 (1989): 722-723]

HUME, Kathryn. Pynchon’s Mythography. An Approach to ‘Grav­ity’s Rainbow.’ Carbondale: Southern Illinois Univ. Press, 1987. [GRM 39 (1989):115-117]

HOHMANN, Charles. Thomas Pynchon’s ‘Gravity’s Rainbow.’ A Study of Its Conceptual Structure and of Rilke’s In­flu­ence. New York: Peter Lang, 1986. [GRM 39 (1989): 118-121]

VERSTEEGEN, Heinrich. James Joyce’s ‘Ulysses’ in vier deutschen Übersetzungen samt einem Ausblick auf die niederländische Übersetzung. Studien zur englischen und amerikanischen Literatur, 12. Frankfurt/Main: Peter Lang, 1988. [James Joyce Literary Supplement 4.1 (Spring 1990): 7-8]

Jf RGENSEN, Kathrine Sf rensen Ravn. La Théorie du Roman. Thèmes et Modes. Copenhagen: Nyt Nordisk Forlag Arnold Busck, 1987. [Comparative Literature 42.4 (1990): 371-373.]

SCHWAB, Gabriele. Entgrenzungen und Entgrenzungsmythen. Zur Subjektivität im modernen Roman. Daniel Defoe. Herman Melville. Virginia Woolf. James Joyce. Samuel Beckett. Thomas Pynchon. Stuttgart: Franz Steiner, 1987. AAA 15.2 (1990): 172-176.

NEUSE, Werner. Geschichte der erlebten Rede und des inneren Monologs in der deutschen Prosa. American University Studies, Series I. Germanic Languages and Literatures, 88. New York: Peter Lang, 1990. The German Quarterly 65.3-4 (1992): 476-478.

HOESTEREY, Ingeborg. Ed. Zeitgeist in Babel. The Post-Modernist Controversy. Indiana Univ. Press, 1991. German Quarterly 66.2 (1993): 260-263.

WALES, Katie. The Language of James Joyce. London: Macmillan, 1992. Language and Literature 2.2 (1993): 135-136.

FLEISCHMAN, Suzanne, and Linda R. WAUGH. Eds. Discourse Pragmatics and the Verb. The Evidence from Romance. London: Routledge, 1991. Journal of Literary Semantics 23.2 (1994): 132-41.

VIRTANEN, Tuija. Discourse Functions of Adverbial Placement in English. Clause-Initial Adverbials of Time and Place in Narratives and Procedural Place Descriptions. Åbo: Åbo Akademi, 1992. Language and Literature 4.1 (1995): 64-7.

SELL, Roger, and Peter VERDONK (Eds.) Literature and the New Interdisciplinarity. Poetics, Linguistics, History. DQR Studies in Literature, 14. Amsterdam: Rodopi, 1994. Language and Literature 4.3 (1995): 224-7.

WOLF, Werner. Ästhetische Illusion und Illusionsdurchbrechung in der Erzählkunst. Theorie und Geschichte mit Schwerpunkt auf englischem illusionsstorenden Erzählen. Tübingen: Niemeyer, 1993. Poetica 27.1-2 (1995): 218-24.

GROSS, Sabine. Lesezeichen. Kognition, Medium und Materialität im Leseprozeß. Darmstadt: Wissenschaftliche Buchgesellschaft, 1994. Poetics Today 18.1 (1997): 117-20/

BALDWIN, Shauna Singh. English Lessons and Other Stories. Fredericton, NB: Goose Lane, 1996. India-Star*A Literary Magazine (April 1997). [http://www.indiastar.com]

BRONFEN, Elisabeth, Benjamin MARIUS, and Therese STEFFEN (Eds.) Hybride Kulturen. Beiträge zur anglo-amerikanischen Multikulturalismusdebatte. Stauffenburg Discussion. Tübingen: Stauffenburg, 1997. ZAA 46.4 (1998): 379-82.

STUMMER, Peter O., and Christopher BALME (Eds.) Fusion of Cultures? Cross/Cultures, 26. ASNEL Papers 2. Amsterdam: Rodopi, 1996. ZAA 46.4 (1998): 379-82.

BRINTON, Laurel J. Pragmatic Markers in English. Grammaticalization and Discourse Functions. Topics in English Linguistics, 19. Berlin: Mouton de Gruyter, 1996. Style 32.4 (1998): 694-6.

SCHÄFFNER, Raimund. Anarchismus und Literatur in England. Von der Französischen Revolution bis zum Ersten Weltkrieg. Heidelberg: Winter, 1997. GRM 49.4: 489-92.

NÜNNING, Ansgar (1998) Ed. ‘Unreliable Narration’: Studien zur Theorie und Praxis un­glaub­würdigen Erzählens in der englischsprachigen Erzählliteratur. Trier: Wissen­schaft­licher Verlag Trier. Poetica 32.1-2 (2000): 251-55.

TUMANOV, Vladimir. Mind Reading: Unframed Direct Interior Monologue in European Fiction. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissen­schaft, 19. Amsterdam: Rodopi, 1997. New Comparison  26 (2000): 182-4.

NÜNNING, Ansgar, and Vera NÜNNING (1998) Englische Literatur des 18.Jahrhunderts. UNI Wissen. Stuttgart: Klett. ZAA 49.1 (2001): 88-89.

NORRICK, Neal (2000) Conversational Narrative. Storytelling in Everyday Talk. Amsterdam Studies in the Theory and History of Linguistic Science, 203. Amsterdam: John Benjamins. Language and Literature 11.2 (2002): 186-9

NÜNNING, Ansgar (1998) Ed. Metzler Lexikon Literatur- und Kulturtheorie. Stuttgart: Metzler. ZAA 49.3 (2001): 286-88.

HERMAN, David (1999) Ed. Narratologies. New Perspectives on Narrative Analysis. Theory and Interpretation of Narrative Series. Columbus, OH: Ohio State Univ. Press. GRM 52.2 (2002): 322-25.

WIEST-KELLNER, Ursula (1999) Messages from the Threshold. Die You-Erzählform als Ausdruck liminaler Wesen und Welten. Bielefeld: Aisthesis. ZAA 50.1 (2002): 100-102.

VERTOVEC, Steven, and Robin COHEN (1999) Eds. Migration, Diasporas and Transnationalism. Cheltenham, UK: Edward Elgar Publ. Anglia 120.3 (2002): 435.42.

ROBINSON, Ian (1998) The Establishment of Modern English Prose in the Reformation and the Enlightenment. Cambridge: Cambridge Univ. Press. AAA 27.2 (2002): 282-3.

NÜNNING, Ansgar, and Vera NÜNNING (2000) Eds. Multiperspektivisches Erzählen. Zur Theorie und Ge­schichte der Perspektivenstruktur im englischen Roman des 18. bis 20. Jahrhunderts. Trier: WVT. GRM 53 (2003): 262-67.

IRELAND, Ken (2001) The Sequential Dynamics of Narrative. Energies at the Margins of Fiction. Madison, WI: Fairleigh Dickinson Univ. Press, London: Associated Univ. Presses. Language & Literature 12.4 (2003): 373-75.

ROBERTS, Geoffrey (2001) Ed. The History and Narrative Reader. London: Routledge. Archiv für das Studium der neueren Sprachen und Literaturen 156 (2004): 178-80.

FITZMAURICE, Susan M. (2002) The Familiar Letter in Early Modern English. A Pragmatic Approach. Pragmatics and Beyond, 95. Amsterdam: Benjamins. Journal of Historical Pragmatics 5.2 (2004): 337-41. Reprinted: Letter Writing. Ed. Terttu Nevalainen and Sanna/Kaisa Tanskanen. Amsterdam: John Benjamins, 2007. 155-9.

NÜNNING, Ansgar, and Vera NÜNNING (2002) Ed. Erzähltheorie transgenerisch, intermedial, interdisziplinär. WVT Handbücher zum literaturwissenschaftlichen Studium, 5. Trier: WVT. GRM 54 (2004): 485-87.

PALMERI, Frank (2003) Satire, History, Novel: Narrative Forms, 1665-1815. Cranbury, NJ: Associated Univ. Presses. Eighteenth-Century Fiction 18 (2005-6): 255-7.

HERMAN, David (2002) Story Logic. Problems and Possibilities of Narrative. Lincoln, NE: Univ. of Nebraska Press. GRM 55.4 (2005): 486-90.

KINDT, Tom, and Hans-Harald MÜLLER (2003) Ed. What is Narratology? Questions and Answers Regarding the Status of a Theory. Berlin: Walter de Gruyter. Arbitrium 1 (2005): 11-14.

HARWEG, Roland, Elke HARWEG, and Peter CANISIUS (2003) Sekundäre Unbestimmtheit. Studien zu einer universellen Sonderform der Redewiedergabe. Aachen: Shaker. Jahrbuch der ungarischen Germanistik 2005: 401-403.

O’GORMAN, Francis, and Katherine TURNER (2004) Ed. The Victorians and the Eighteenth Century. Reassessing the Tradition. London: Ashgate. Dickens Quarterly 23: 196-9.

KEEN, Suzanne (2007) Empathy and the Novel. Oxford: Oxford Univ. Press. [Style]

HERMAN, David (2009) Basic Elements of Narrative. Oxford: Blackwell. [AAA]

GOMES, Mario (2008) Gedankenlesemaschinen. Modelle für eine Poetologie des inneren Monologs. Freiburg: Rombach. [Monatshefte für deutsche Literatur und Kultur]

ASIMOV, Michael (2009) Lawyers in Your Living Room! Law on Television. Chicago, IL: American Bar Association. [ials.online]

 

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